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Meaghan Morris

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Meaghan Morris is Chair Professor of Cultural Studies and Co-ordinator of the Kwan Fong Cultural Research and Development Program at Lingnan University, Hong Kong, where she convenes the Urban Imaginaries Asia-Pacific Research Network. Her work on the role of cinema and the media in forming national and transnational cultures appears in many cultural studies journals and anthologies, and her books include The Pirate’s Fiancée: feminism, reading, postmodernism (London, 1988); Australian Cultural Studies: A Reader, co-edited with John Frow (Sydney and Chicago, 1993); Too Soon, Too Late: History in Popular Culture (Bloomington,1998); and ‘Race’ Panic and the Memory of Migration, co-edited with Brett de Bary (Hong Kong University Press, 2001), as volume 2 of Traces: A Multilingual Journal of Cultural Theory and Translation. Prof. Morris is also Senior Editor of Traces, a series published in English (HKUP), Chinese (Nanjing: Jiangsu Education Press), Japanese (Tokyo: Iwanami Shoten) and Korean (Seoul: Moonwha Kwahaksa). Her forthcoming books are Hong Kong Connections: Transnational Imagination in Action Cinema (co-ed. with Stephen C.-K. Chan and Siu-leung Li, HKUP), and New Keywords: A Revised Vocabulary of Culture and Society (co-ed. with Tony Bennett and Lawrence Grossberg, Blackwells).